https://uchercie.com uchercie Fri, 14 Jan 2022 18:03:47 +0000 https://uchercie.com en https://uchercie.com/Home-Page Tue, 11 Jul 2017 14:07:40 +0000 uchercie https://uchercie.com/Home-Page https://uchercie.com/About Thu, 29 Jun 2017 04:30:12 +0000 uchercie https://uchercie.com/About Uchercie holds a MFA degree in Fine Art from the Goldsmiths, University of London. Uchercie has published a solo photography book Unconsciously, and their artworks have been exhibited in Arles photo festival, Art Basel, Somerset house, Saatchi gallery and other galleries worldwide. Uchercie's practice investigates the intersection of cognitive architecture, collective agency, cybernetic feedback, and spirituality. Through an exploration of absurd narratives, the practice engages in counteraction and emancipation by drawing on accelerationist myths. It navigates from the perspective of the phenomenology of perception, queering visions of the future within the context of post-capitalist desires and the challenges of post-human progress. Based in LondonUchercie@gmail.com︎&nbsp;︎ Education MFA Distinction, Fine art, Goldsmiths, University of&nbsp; London BA &nbsp; &nbsp;Fine art photography, University of Arts London Solo Exhibition 2024.05 Into The Mist of Archetypes, Jack Barrett, NewYork, US 2023.08 AUTOPOETIC, Simulacra, Beijing, CN 2023.06 Note, Robbie Von Kampen, London, UK 2021.10 Solitude Fantasy, Online virtual2021.07 Suspended Cosmos, Goldsmiths, University of London, UK Duo Exhibition 2024.11 The World Without Us, with Isaac Lythgoe, Coulisse Gallery, Stockhom, SE Publication 2015.12 Photography book UnconsciouslyEssay by Chen XianFa, The winner of the 7th Lu Xun Literature Award Nanjing university publishing house Selected Group Exhibition 2025.01 Bridge, biscuit Gallery x NISO, Tokyo, JP 2024.07 Heatwave vol.II, Coulisse Gallery, Stockhom, SE 2023.10 HIGH-STAKES, &nbsp;Lisa Boudet, Paris, FR 2023.09 The Sundown of Disquiet, Zerui, London, UK 2023.08 The Burden of Heavy Flesh, Bermondsey project space, London, UK 2023.08 AUTOPOETIC, Simulacra, Beijing, CN 2023.06 Note, Robbie Von Kampen, London, UK&nbsp; 2023.02 “ &nbsp; “ Quote Unquote, Ugly duck, London, UK 2022.10 Ghost Show, The Haunted House, London, UK 2022.10 MMG prize shortlist, Saatchi Gallery, London, UK 2021.11 London Grads 2021, Saatchi Gallery, London, UK 2021.10 Solitude fantasy, Online Virtual 2021.09 Physical distancing, Electrowerkz, London, UK 2021.07 Suspended cosmos, Goldsmiths, University Of London, UK 2021.10 Solitude Fantasy, Arles Photo Festival, Arles, FR 2021.09 Bidirectional Intervention, Jingchuang Space, Nanjing, CN 2021.04 Access, Deptford X, London, UK 2021.01 China Lightweight Installation Exhibition, Art艺绘, Online 2020.12 Accidenting, Goldcssa, Online 2020.11 HomeMuseum, Lagos Photo Festival, Online 2020.11 Vrdays festival, The Laval World, Online 2020.02 Collection show, Anyun Art &amp; Design Museum, Shenzhen, CN 2019.12 Through The Unknown, We’ll Find The New, Hartslane Gallery, London, UK 2019.04 Meanwhile, Four Corners Gallery, London,UK 2019.02 P2, Copeland Gallery, London,UK 2018.12 New Horizons 2018,Young Talents Exhibitions, Coast Museum,Zhuhai, CN 2018.08 Sunlight, 508 Gallery, London, UK 2018.05 Plane of Immanence, Safehouse Gallery, London, UK 2018.03 Camberwell Space, Camberwell College Of Arts, London, UK 2018.02 Selected Work In Streit house space, Online 2018.01 Over Capacity, Cgp Dilston Grove, London, UK 2017.11 The Coming Community, The Crypt Gallery, London, UK 2017.07 Modual, Somerset House, London, UK 2017.05 That Is It, Camberwell College Of Arts, London, UK 2016.07 International Abstract Art Exhibition, Kenda Museum, Suzhou, CN 2016.05 The Photo Festival Of Arles, Arles, FR 2016.03 International Female Visual Arts Exhibition, Dahua Museum, Xi'an, CN 2016.03 International Abstract Art Exhibition, Shanghai Museum, CN 2015.12 Start From China, Split Level Gallery, Newyork, USA 2015.08 Erotica, Nanan Museum, Shanghai, CN 2015.03 International Females Art Works Exhibition, Ningbo Museum, CN &gt; more Writing 2021.09The Myth of Accelerationism Art fair 2024.05 NADA, Newyork, US 2022.11 Soft Solid, Simulacra, ART 021, Shanghai, CN 2022.10 London Contemporary Art Fair, London, UK 2022.09 A Feast For The Eyes, StART art fair, Seoul, KR2022.03 SE Micro Sculpture Fair, St. James hatcham church, London, UK2015.12 Art Basel Miami Beach, Miami, USA Curation 2023.02 “ &nbsp; “ Quote Unquote, Ugly duck, London, UK 2018.12 New Horizons 2018, Young talents exhibitions, Zhuhai, CN 2018.05 Plane of Immanence, Safehouse Gallery, London, UK Film/Theatre Art 2018.01/09 Theatre Design at Voice Machine, PengHao Theatre, Beijing, CN 2016.07 Theatre Design at PDST, Nanluoguxiang Drama Festival, Beijing , CN 2015.05 Art Direction at Jealousy, New York Film Festical, &nbsp;New York, USA 2015.06 Theatre Design at The Crucible, The Central Academy of Drama, Beijing, CN Prize 2022.10 MMG Emerging Art Prize 2022, Shortlist 2022.03 New Contemporaries 2022, Shortlist 2022.03 Jackson’s Painting Prize 2022, Shortlist 2018.12 Lynn Painter-Stainers Prize 2019, Shortlist 2018.12 Jackson’s Emerging Artist Prize 2018,&nbsp;The Winner of&nbsp; the Painting Category Award 2016.06 Prix de jury Festival Europeen de la Photo Press 2024 émergent Magazine: The world without us 2024 Insight: Soft Disasters of Uchercie, phenomenology of futuristic exoticism in transmedia narratives 2023 Clot Magazine: On deep ecology of Chinese femborgs 2023 Kubaparis: The Sundown of Disquiet 2023 Art Viewer: The Sundown of Disquiet 2022 Horizon magazine issue 05 2022 John byrne award 2021 Rundgang.io: Suspende Cosmos 2021 Hinton: Solitude Fantacy 2021 Medium: Solitude Fantacy 2021 The Global Creator 2021 Totaleternalgozadera 2021 ParmaHam.tv: Pshycial Distancing 2021 Electrowerkz 2019 Fine esquire magazine 2017 WAVE Collective 2017 The cyprt gallery: SYMPOSIUM: The Coming Community Interview 2023 Interview for AUTOPOETIC by Simulacra&nbsp; 2018 FLOORR Magazine, Issue 19 2017 France 3 https://uchercie.com/Poem Thu, 06 Jul 2017 00:24:41 +0000 uchercie https://uchercie.com/Poem 2022-0719&nbsp; 我在最炎热的时刻庆祝存在 穿着沉重的外壳 哇唔 一张免费的修罗场门票 妈妈递给我 —— “你想庆祝生命 还是滥用悲伤的特权？” 一起蹦跑吧 跑吧 最沉重的婴儿和妈妈盛夏的伤口 用每一次最热烈的重生 来消化死亡 直到死亡的重量 填满子宫 2022-0719 I celebrate presence in the hottest of times Wearing a very heavy shell Whoa oh A free ticket to the Asura Mum handed it to me — “Do you want to celebrate life Or abuse the privilege of grief?” Let’s run Let’s run The heaviest of infant and mother’s summer wounds With each most fervent rebirth to digest death Until the weight of death Fills up the womb 2022-0606 我通过情景颠倒，角色变换，政治时差旅行 来感知生命的实验性 我是那一只主体性觉醒的猴子 在有限的生命政治框架内 摸索已编程的世界代码 我在自己的脚本中流泪 同时我在自己的脚本中欢耀 我的心理空间不过是几行代码的范围 我的叙事从生命的绽放到死亡的不可感知的距离中 衰败，呼吸，摇摆 只有我想起自己是实验室的一只猴子 叙事就像微风 它经过，它仅仅是经过我 设定者 一言不发， 于是我在微风中穿越了漫长的时间 那里什么也没有 2022-0606 I travel through situation reversals, role plays, political jet lags to perceive the experimental nature of life I am the monkey with an awakened subjectivity Within the limited framework of biopolitics Fumbling with the codes of a programmed world I shed tears in my own script And at the same time I shine in my own script My psychological space is just a few lines of code away My narrative goes from the distance between The blooming of life to the imperceptible death Decaying, breathing, swaying Only if I remember that I am a monkey in a laboratory The narrative is like a breeze It passes, it just passes me The setter who is silent, So I traverse the long long time in the breeze There was nothing there 2022-0303 我说 我喜欢美丽的、美妙的、可口的人性 当我给窗边的玫瑰浇水时 我劝说每一滴营养物质 把我的期望注入到植物中 红色 —— 人性的幻觉 2022-0303 I said I like beautiful, wonderful, tasteful humanity When I watering the rose by the windowsill I persuade every drop of nutrients input my expectation to a plant The red - illusions of humanities 2021-0306 逐渐明亮的白夜 声音被空间挤压又拉长 The gradually brighter white night The sound is squeezed and elongated by the space 2021-0302 我设想了无数个通过荒淫来消解羞涩的时刻 我设想了前一天的会面中 在夕阳下袒露我的幻想 I imagined countless moments of dispelling shyness through obscenity I imagined the meeting the day before Reveal my fantasy in the sunset 2021-0301 这些文本是来自我身体内部唯一真实的东西 其余的，终究被文明所阉割和消弥。 我从不能停止怀疑此刻 但是回望过去的时候 却能够带着文学的态度 去接纳那一刻 这个给过去盖棺定论的过程 仍然是无法面对真实的自己 所以要树立一道高墙 让所有此刻的信息都在此刻过期 且无人问津 直到未来的某一天 我拾起这些信息 并赋予神权 仿佛越了界的时间 才是感知的化身 不仅能够跨越高墙和读取虚弱的信息 还能在否定的废墟上自信得搭建起未来的主体 我从不能停止怀疑此刻 在没有被时间反复检阅过的此刻 永远丢失在此刻的主体 These texts come from the only real thing inside my body The rest were castrated and eliminated by civilisation after all. I can never stop doubting this moment But when I look back able to take the attitude of literature To accept the moment This process of concluding the past Still unable to face the true self So build a high wall Let all information at this moment expire at this moment And no one will revisit Until someday in the future I pick up this information and give it the power of god As if time has crossed the boundary Is the incarnation of perception Not only able to cross high walls and read weak twilight Can also build the subject of future with confidence in the ruins of negation I can never stop doubting this moment At this moment that has not been reviewed repeatedly by time That the subject is lost forever at this moment 2021-0227 经济资本制度决定了我们的欲望 如果所有性工作者都被工业商品化 被安置整齐且带有标签 那么我们的性欲也将变得简单 The economic capital system determines our desires If all sex workers are commercialized by industry Are placed neatly and labeled Then our libido will also become simple 2021-0218 傍晚的瞌睡 是通向自身经验的路径 一瞬间惊醒的微光 汇聚了前世，童年和未来的信息 可能 那一刻就看见了最内核的自我 却总被下一秒的具象的细碎打断 可能 人类通晓命运，天赋神性 却不被允许 Doze at nightfall Is the path to one's own experience The gleam that wakes up in a flash Gathers information about past lives, childhood and future possible I saw the innermost self at that moment But it is always interrupted by the concrete fragments of the next second. possible Mankind knows destiny and gifted divinity But not permitted 2015-0602 羞耻 当语言的灵气消失 诗人就像一只漏气的皮球 干瘪得对抗着社会秩序 诗人试图找到保持精准的秘诀—— 他把语言置于山峰 再把它摔下去； 他把语言擀成面团 塑形，再还原； 他把语言赋予香氛 再把空气抽干； 面对不可控的智慧的虚弱 语感并未逐渐乖戾，强壮 像患上了肺结核的躯体：幽闭，被阉割 当月亮意识到不能滑入酒杯 当云朵意识到不能飘入湖中 诗人感到卑鄙极了 语言的建筑学与音律 此消彼长 漫不经心地嘲笑他 2014-0910 黑洞 裱框里的音符被我反复拿来观赏推敲 洋洋自得的时候翻手就毁了 点状的数据被踩在脚下 辗压成块状的羞耻 我打开窗，探出头就落到我的阴影里 我脱下衣服，清洗身体 我弯腰，拾起一颗颗影子 她像石榴的种子，密密麻麻的砸向我 无限亦是无规则的传播 以至人们也不必穿衣行走 我们永不能识破与触摸 同吞噬于巨大的壳 我披上乌鸦的羽毛就随处奔跑 随手摘下棺木(灌木)，樱桃，任意的门 走着走就落到别人的阴影里 我打开窗，迈出脚就切成四分五裂 叠起太阳，踩在脚下它就不会再升起 后来我开始赞美不会发光的月亮 以及缓缓作响隐形的河流。 2014-0106 用谄媚对抗抑郁的女人 用怨恨对抗狂躁的女人 一旦拿走了武器 就像 被屠宰膨胀的种子 2014-0000 你的样子 &nbsp; 带着夭折的兴奋 和从你身上穿来的香气 在我的皮肤里繁殖 长出了刺满胸膛的竹节 Like love With the excitement of premature death And the aura that wears from you Reproduced in my skin Growing bamboo joints that pierced full of my chest 2013-1227 古朴守旧的迷恋被旁人洞察时尤其入味 稻晦和节制生怕遗漏了其间香气 The infatuation of quaintest and conservative is especially delicious when being insight by others, Abstinence and concealed the lights For fear of leaving out the aroma in between 2013-1111 没有天赋的人 在为敲定每一个具体的参数而焦虑 而有人在滥用上帝的旨意 Ungifted people are anxious to finalise every specific parameter And someone is abusing the will of God 2013-1015 我设想以回到母体的方式来感受和平 I envision to feel the peace by returning to the mother body 2013-0926 关于解救， 对浅层意义上愉悦的任何事都指望不上了 绝望使我成为一个云淡风轻不易动怒的人 2013-0817 睡着的人都避开了痛苦的劫难 争分夺秒得用酒精、大麻、快感、理想、困境去缓解疼痛 我只学会了无动于衷的旁观自己 任其被撕裂并拍手叫好 Those who were asleep avoided the painful catastrophe Race against time to relieve pain with alcohol, marijuana, pleasure, ideals, and predicament I only learned to look on myself indifferently Let it be torn apart and clap hands in applause 2013-0806 从不与你谈论那些细微末节 你告诉我想念我 并且过上同样克制的生活 只有雕塑与文学 把我的电话抄写在画册里的任意一页 越是看清一个女人普世的一面 气息越是迷人 你来找我证实这是痛苦的密度 还是你的想像 我竟有些动容 Never talk to you about those trivial details You told me that missing me And live the same restrained style Only having sculpture and literature Wrote down my number on the random page in album The more you see the universal side of a woman The more alluring the aura is You come to verify whether it is the density of pain Or it is a note of envisioning I unexpectedly somewhat moved 2013-0609 求生欲， 是一只顽皮的断尾壁虎 但也叫我死得更难看了 2013-0320 他用一种近似迷惑她的方式爱她 啃食她的肋骨 亲吻她的趾缝 三五卷胶卷 数十页诗篇 住在一个清晨倒映的暗房里 踩踏自行车路人 漂移的云朵 以极致的卑微和控制喂养她直到猖獗 甘愿做她的奴隶 我称他为致幻的猎手 2013-0302 最后悔没有在年轻的时候耗尽生命 才至于往后拖拉亏欠、掷地无声、细碎无力 还不如在有毒的憧憬里慷慨赴死 2012-1202 再也不能多一个表情 多踏出一步多倾吐一个字 我已为我的虚伪造作感到胸闷恶心—— 我应真挚得奉献上我的躯体 作为火焰的食疗 为你驱除寒意！ 2012-0724 那些关于臆想和像她这样的女人的隐秘的诗 她的命运像那些美丽的湿漉漉的碎片拼凑成的漏水花瓶 Those secret poems about conjectures and women like her Her fate is like a leaky vase made up of beautiful wet shards 2012-0610午后偶遇 时常想，肉体会被时间消磨成灰烬 肉体终会在日晷下毫无阴影 我带着满身灰尘和疲惫的目光遇见了你 你曾说我的私处是月光下大海的味道 会数着我丘壑似的皱纹入眠 会把所有愤怒都种成葡萄 等着葡萄藤妖冶如少妇的时候我们计划着下一场丰收 会在做爱之后带着唇齿间的香气在梦里相见 在第三百次感受暴风雨后的海洋 平静，絮乱，喜悦 仅在你身上 感受到咸咸的微风 白鸽相拥 甚至是万物复苏 Encounter in the afternoon You once said that my private parts are the smell of the sea under the moonlight I will count the wrinkles like mounds and fall asleep Will plant all anger into grapes While waiting for the vines to be as charming as youth, we are planning for the next harvest Will meet with roses in dreams with the fragrance of lips and teeth after sex Feel the ocean after the storm for the 300th time Calm, chaos, joy Only on you Feel a salty breeze White pigeons embracing Everything back to life 2012-0601 每天在沉静和暴烈两种情绪里来回交替 没有出口的悲伤像陨石 把我砸成了软体动物 Alternating back and forth between calmness and violence every day Sadness without an outlet is like a meteorite Smashed me into a mollusk 2011-1228 我只喜欢孤独的封闭的人 有一所爱的捆绑式的监狱 那样所有切肤欢愉和共情同悲都能一直延续下去 I only like the lonely closed person There is a bondage prison for love So that all the skin‘s joyful and Symbiotic empathy can continue 2011-1125 词语显然是强烈和统治人的理智的 它使一切陷入混乱 并且使人陷入无数空洞的争辩和无聊的幻想 字句是暴力 字句是春药 The words are obviously strong and inform people's saneness It throws everything into chaos Make people fall into countless empty arguments And boring fantasies Words are violence Words are aphrodisiacs 2011-1108 因为在遗忘的深处 从我面前再现的那些时光中 还留有对纯粹激情的一种完美的回忆 对于悬浮在永恒之中的时刻的回忆 这是我身上唯一真实的东西 但我知道它总是太迟了 我喜欢看一个弯曲的动作 喜欢景色中一颗位置恰当的树 Because in the depths of forgotten From those times reappearing in front of me There is still a perfect memory of pure passion Reminiscences of moments suspended in eternity This is the only real thing about me But i know it's always too late I like to watch a curved movement I like a tree in a proper position in the scenery 2011-0701 无底洞 支配潮汐的月亮 被吞噬得像一个没有起色的病人 我的太阳啊 你若不发光 Like a pale patient who has not improved My sun. If you don’t shine. https://uchercie.com/newsletter Fri, 14 Jan 2022 18:03:47 +0000 uchercie https://uchercie.com/newsletter window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'UA-122659075-1'); #mc_embed_signup{background:#fff; false;clear:left; font:14px Helvetica,Arial,sans-serif; width: 600px;} /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. */ Newsletter * indicates required Email Address *First Name /* real people should not fill this in and expect good things - do not remove this or risk form bot signups */ <img class="refferal_badge" src="https://digitalasset.intuit.com/render/content/dam/intuit/mc-fe/en_us/images/intuit-mc-rewards-text-dark.svg" alt="Intuit Mailchimp" style="width: 220px; height: 40px; display: flex; padding: 2px 0px; justify-content: center; align-items: center;"> https://uchercie.com/Index Fri, 02 Jun 2017 23:16:52 +0000 uchercie https://uchercie.com/Index 2024 The world without us Duo Exhibition Isaac Lythgoe Uchercie LocationCoulisseStockholm, SE <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/59b6528ee995a2cd20e64d4381d544af38c08d143d03f36ec97f6a3deba4cbe0/The-world-without-us_Isaac-Uchercie-Image-1.jpg" data-mid="223524680" border="0" src="https://freight.cargo.site/w/1000/i/59b6528ee995a2cd20e64d4381d544af38c08d143d03f36ec97f6a3deba4cbe0/The-world-without-us_Isaac-Uchercie-Image-1.jpg" /> <img width="4000" height="2666" width_o="4000" height_o="2666" data-src="https://freight.cargo.site/t/original/i/6a74498a20c1dfa0dcc2fdbc1f19d5e21492ddf3e2000adb4e8e68618e31a812/The-world-without-us_Isaac-Uchercie-Image-2.JPG" data-mid="223524683" border="0" src="https://freight.cargo.site/w/1000/i/6a74498a20c1dfa0dcc2fdbc1f19d5e21492ddf3e2000adb4e8e68618e31a812/The-world-without-us_Isaac-Uchercie-Image-2.JPG" /> <img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/5296b765ecc0ddb90628fe65cad6cf2be05684e5faaadfd84779f19fada4353b/The-world-without-us_Isaac-Uchercie-Image-3.jpg" data-mid="223524682" border="0" src="https://freight.cargo.site/w/1000/i/5296b765ecc0ddb90628fe65cad6cf2be05684e5faaadfd84779f19fada4353b/The-world-without-us_Isaac-Uchercie-Image-3.jpg" /> Heatwave vol. II Group Exhibition Annie Åkerman Josefina Anjou Julia Kowalska Sanna Lindholm Uchercie Location Coulisse Stockholm, SE <img width="1836" height="1224" width_o="1836" height_o="1224" data-src="https://freight.cargo.site/t/original/i/544c3cb08059fe6a0fbf53ccb3138f9f6d9566bd945834b9743a73900c21f85c/heatwave-2.png" data-mid="218432513" border="0" data-icon-mode src="https://freight.cargo.site/w/1000/i/544c3cb08059fe6a0fbf53ccb3138f9f6d9566bd945834b9743a73900c21f85c/heatwave-2.png" /> <img width="1836" height="1224" width_o="1836" height_o="1224" data-src="https://freight.cargo.site/t/original/i/6e9620717ea67870131f8e17f311bddc3ca4f219fe694f8c20fcf3bc19521a44/heatwave-3.png" data-mid="218432511" border="0" src="https://freight.cargo.site/w/1000/i/6e9620717ea67870131f8e17f311bddc3ca4f219fe694f8c20fcf3bc19521a44/heatwave-3.png" /> <img width="1836" height="1834" width_o="1836" height_o="1834" data-src="https://freight.cargo.site/t/original/i/424adf4d792c3ef50f58e29952f343b8ed067a888add174ab81cfbd73787ea5c/21_50x50_uchercie_2024-1.png" data-mid="218432507" border="0" src="https://freight.cargo.site/w/1000/i/424adf4d792c3ef50f58e29952f343b8ed067a888add174ab81cfbd73787ea5c/21_50x50_uchercie_2024-1.png" /> Into the Mist of Archetypes Solo Exhibition <img width="2040" height="2048" width_o="2040" height_o="2048" data-src="https://freight.cargo.site/t/original/i/80659426022fc5231bea4dbf565d8ba96233c6c8e14a59d5ea3016343cece225/Into-the-mist-of-archetypes.jpg" data-mid="218432264" border="0" data-scale="27" src="https://freight.cargo.site/w/1000/i/80659426022fc5231bea4dbf565d8ba96233c6c8e14a59d5ea3016343cece225/Into-the-mist-of-archetypes.jpg" /> Location Jack Barrett Gallery New York, USA <img width="2500" height="1874" width_o="2500" height_o="1874" data-src="https://freight.cargo.site/t/original/i/ad26e59677886ed4253b9f077d6b3e0c7ff9c3fd5fa2273f3cdca989bd58c8ea/Install--12.jpg" data-mid="218432270" border="0" src="https://freight.cargo.site/w/1000/i/ad26e59677886ed4253b9f077d6b3e0c7ff9c3fd5fa2273f3cdca989bd58c8ea/Install--12.jpg" /> <img width="2500" height="1874" width_o="2500" height_o="1874" data-src="https://freight.cargo.site/t/original/i/d6957f38d286c77b8d2e6ac42131b7c922f552c4efb6df2cc38d72fe02a66e62/Install--16.jpg" data-mid="218432268" border="0" src="https://freight.cargo.site/w/1000/i/d6957f38d286c77b8d2e6ac42131b7c922f552c4efb6df2cc38d72fe02a66e62/Install--16.jpg" /> <img width="2500" height="1874" width_o="2500" height_o="1874" data-src="https://freight.cargo.site/t/original/i/e670ad194ba1e3d487800f6570acf8f137e67a7f4d1b90bc8952664c30ef39ae/Install--9.jpg" data-mid="218432269" border="0" src="https://freight.cargo.site/w/1000/i/e670ad194ba1e3d487800f6570acf8f137e67a7f4d1b90bc8952664c30ef39ae/Install--9.jpg" /> <img width="2500" height="1414" width_o="2500" height_o="1414" data-src="https://freight.cargo.site/t/original/i/460d4594062c7439120c06ca1e6c4920c0ff9d02ff82350a49bf452342d5dea1/Install--15.jpg" data-mid="218432273" border="0" src="https://freight.cargo.site/w/1000/i/460d4594062c7439120c06ca1e6c4920c0ff9d02ff82350a49bf452342d5dea1/Install--15.jpg" /> <img width="2500" height="1874" width_o="2500" height_o="1874" data-src="https://freight.cargo.site/t/original/i/719105cfda53c15dc15e0c5c6b406a8a64b82f7f5caf82913358bd6a03d05cc2/Install--14.jpg" data-mid="218432306" border="0" src="https://freight.cargo.site/w/1000/i/719105cfda53c15dc15e0c5c6b406a8a64b82f7f5caf82913358bd6a03d05cc2/Install--14.jpg" /> 2023 Autopoetic Solo Exhibition <img width="2480" height="2480" width_o="2480" height_o="2480" data-src="https://freight.cargo.site/t/original/i/fa5ce0ca2b6e60da52559821ba464f096b90d7d9974ccf5b607469838b713aba/Autopoetic-2023-poster.JPG" data-mid="218432815" border="0" data-scale="28" src="https://freight.cargo.site/w/1000/i/fa5ce0ca2b6e60da52559821ba464f096b90d7d9974ccf5b607469838b713aba/Autopoetic-2023-poster.JPG" /> Location Simulacray Beijing, CN <img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/be7c028562aececc75f36984dc8e4b9191da7cf9ee55229dbfbea37e157178fa/640.jpeg" data-mid="218432711" border="0" src="https://freight.cargo.site/w/1000/i/be7c028562aececc75f36984dc8e4b9191da7cf9ee55229dbfbea37e157178fa/640.jpeg" /> <img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/10c40e1cd2d333bbb8ef7a1bafaa4fc3469f2019640d718cae5b3a8849823fde/640-13.jpeg" data-mid="218432712" border="0" src="https://freight.cargo.site/w/1000/i/10c40e1cd2d333bbb8ef7a1bafaa4fc3469f2019640d718cae5b3a8849823fde/640-13.jpeg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/92b74a1535fdc18e398aed015a50b93f2998ed64e92691c0e0170e4e46546988/Aotopoetic---uchercie--4.JPG" data-mid="218432714" border="0" src="https://freight.cargo.site/w/1000/i/92b74a1535fdc18e398aed015a50b93f2998ed64e92691c0e0170e4e46546988/Aotopoetic---uchercie--4.JPG" /> <img width="3457" height="2306" width_o="3457" height_o="2306" data-src="https://freight.cargo.site/t/original/i/2570a773d113d4f4a0e53f1d47fa734b04d5c84e103a96ac613eb70a356f3601/Aotopoetic---uchercie--0.JPG" data-mid="218432713" border="0" src="https://freight.cargo.site/w/1000/i/2570a773d113d4f4a0e53f1d47fa734b04d5c84e103a96ac613eb70a356f3601/Aotopoetic---uchercie--0.JPG" /> Note Solo Exhibition <img width="720" height="1019" width_o="720" height_o="1019" data-src="https://freight.cargo.site/t/original/i/931a9b6bbbb1e2dd0f5014fb1b0115ac0b942f349b4ac486cf9997770eff62b0/note-poster.jpg" data-mid="218432813" border="0" data-scale="28" src="https://freight.cargo.site/w/720/i/931a9b6bbbb1e2dd0f5014fb1b0115ac0b942f349b4ac486cf9997770eff62b0/note-poster.jpg" /> Location General Assemble London, UK <img width="7866" height="5244" width_o="7866" height_o="5244" data-src="https://freight.cargo.site/t/original/i/116e1d6bc1228a0a1fae5cd24426c30b1d897821547332a96e2656994576888d/_JRH4387.jpg" data-mid="218432812" border="0" src="https://freight.cargo.site/w/1000/i/116e1d6bc1228a0a1fae5cd24426c30b1d897821547332a96e2656994576888d/_JRH4387.jpg" /> <img width="8072" height="5381" width_o="8072" height_o="5381" data-src="https://freight.cargo.site/t/original/i/b9d8674dda2f4fee25bc3ead58b8ed424ef317be82f47d8c02ca644a545d6c2f/_JRH4312.jpg" data-mid="218432831" border="0" src="https://freight.cargo.site/w/1000/i/b9d8674dda2f4fee25bc3ead58b8ed424ef317be82f47d8c02ca644a545d6c2f/_JRH4312.jpg" /> <img width="7955" height="5303" width_o="7955" height_o="5303" data-src="https://freight.cargo.site/t/original/i/d3a6b69da61addef0587a3f1b9b1ae3f12bae365bf552478eea65d992588709e/_JRH4369.jpg" data-mid="218432834" border="0" src="https://freight.cargo.site/w/1000/i/d3a6b69da61addef0587a3f1b9b1ae3f12bae365bf552478eea65d992588709e/_JRH4369.jpg" /> The Burden of Heavy Flesh Group Exhibition <img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/c4b8f0582a7e4d5d2c013ca6613967ce6aeb7966aa53b60eaa218db73f60c2a6/BOHF-graphic-2048x2048.jpg" data-mid="219142175" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/c4b8f0582a7e4d5d2c013ca6613967ce6aeb7966aa53b60eaa218db73f60c2a6/BOHF-graphic-2048x2048.jpg" /> Annabelle Chace Noemi Conan Jasmin Jahmeelah Uchercie Lorena PrainCuration Andia Coral Newton Location Bermonsey project space London, UK <img width="4476" height="3357" width_o="4476" height_o="3357" data-src="https://freight.cargo.site/t/original/i/dcb8b1ea492185d19b23871f01a2f5fc87de817bee1100d654efb68393824943/Install-8.jpg" data-mid="219142212" border="0" src="https://freight.cargo.site/w/1000/i/dcb8b1ea492185d19b23871f01a2f5fc87de817bee1100d654efb68393824943/Install-8.jpg" /> <img width="4537" height="3402" width_o="4537" height_o="3402" data-src="https://freight.cargo.site/t/original/i/98de6fa9a32debba551d4b3b85f0c980490421f5e08af5e8d1f37812417202cf/Install-9.jpg" data-mid="219142213" border="0" src="https://freight.cargo.site/w/1000/i/98de6fa9a32debba551d4b3b85f0c980490421f5e08af5e8d1f37812417202cf/Install-9.jpg" /> 2022 Ghost show Group Show <img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/dc7a5e6a74ef612d0416f09df3cc17ce57643dae24010d3b2d14753ce31e1ca3/Ghost-Show-The-Haunted-House.jpg" data-mid="158803507" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/dc7a5e6a74ef612d0416f09df3cc17ce57643dae24010d3b2d14753ce31e1ca3/Ghost-Show-The-Haunted-House.jpg" />&nbsp;&nbsp;<img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/989c49ea533f0b889287381d7a2d3d6c5ec418b54f961ea19b748dbc1130666e/Artist-list-A4-.jpg" data-mid="157154859" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/989c49ea533f0b889287381d7a2d3d6c5ec418b54f961ea19b748dbc1130666e/Artist-list-A4-.jpg" /> Mark Leckey Chris Macinnes Nina Davies Uchercie&nbsp; Georgina Hill more Curation Kavitha balasingham Rory beard PhotographyGilliesadamsonsemple LocationCopeland parksLondon, UK <img width="2142" height="1426" width_o="2142" height_o="1426" data-src="https://freight.cargo.site/t/original/i/f2201e2445fb207ad97adfea8ffc444a2fccc16789ac2032fea1d43467afd0bf/iShot_2022-11-12_16.05.14.png" data-mid="158804308" border="0" src="https://freight.cargo.site/w/1000/i/f2201e2445fb207ad97adfea8ffc444a2fccc16789ac2032fea1d43467afd0bf/iShot_2022-11-12_16.05.14.png" /> <img width="7155" height="4819" width_o="7155" height_o="4819" data-src="https://freight.cargo.site/t/original/i/9228bf2c57d60631032e9af2d9a58f143a7330d1f4a36db10b9a7eaa6504a834/Ghost_Show_002.jpg" data-mid="158803760" border="0" src="https://freight.cargo.site/w/1000/i/9228bf2c57d60631032e9af2d9a58f143a7330d1f4a36db10b9a7eaa6504a834/Ghost_Show_002.jpg" /> <img width="2274" height="1522" width_o="2274" height_o="1522" data-src="https://freight.cargo.site/t/original/i/40dd88feea3362fda57332ed10d02d14258a2e3c926be0f3e94c44772b71848a/iShot_2022-11-12_15.59.58.png" data-mid="158803913" border="0" src="https://freight.cargo.site/w/1000/i/40dd88feea3362fda57332ed10d02d14258a2e3c926be0f3e94c44772b71848a/iShot_2022-11-12_15.59.58.png" /> <img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/97f40e963f4246491b38e71c5a30d19b403729a0abf26612c2947727d3c8a394/Ghost_Show_019.jpg" data-mid="158803840" border="0" src="https://freight.cargo.site/w/1000/i/97f40e963f4246491b38e71c5a30d19b403729a0abf26612c2947727d3c8a394/Ghost_Show_019.jpg" /> <img width="2268" height="1514" width_o="2268" height_o="1514" data-src="https://freight.cargo.site/t/original/i/6b34e97279913a18b1d95b79754132b7c4be4459f035c2a1c5108be410797ece/iShot_2022-11-12_16.00.30.png" data-mid="158804093" border="0" src="https://freight.cargo.site/w/1000/i/6b34e97279913a18b1d95b79754132b7c4be4459f035c2a1c5108be410797ece/iShot_2022-11-12_16.00.30.png" /> 2021 London grads show Group Show <img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d56608b1623936afd38ab496ea20424f5becd46a4a53176c8cd13fb7d00bd057/LGN-21-Social-media-1080px-Animated-Titles-V6.gif" data-mid="124729906" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/d56608b1623936afd38ab496ea20424f5becd46a4a53176c8cd13fb7d00bd057/LGN-21-Social-media-1080px-Animated-Titles-V6.gif" /> LocationSaatchi gallery London, UK <img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ae046bf2b338dcd8db9bfb825dcfb4bda4c9eed23418d70b37cd6475c6642442/IMG_9791.jpg" data-mid="142898816" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/ae046bf2b338dcd8db9bfb825dcfb4bda4c9eed23418d70b37cd6475c6642442/IMG_9791.jpg" /> Physcial distancing Group Show <img width="989" height="1233" width_o="989" height_o="1233" data-src="https://freight.cargo.site/t/original/i/35c870ad430624df4dd3ea883ddc17ad89457fbbdf873c22892fd025574b2b29/IMG_8043.JPG" data-mid="118678046" border="0" data-scale="29" src="https://freight.cargo.site/w/989/i/35c870ad430624df4dd3ea883ddc17ad89457fbbdf873c22892fd025574b2b29/IMG_8043.JPG" />&nbsp;&nbsp;<img width="774" height="960" width_o="774" height_o="960" data-src="https://freight.cargo.site/t/original/i/6fe7dc3047a6f95fc5a8886da5200b79a539964d046d6a0ab28d90ee4638856e/IMG_8042.JPG" data-mid="118678047" border="0" data-scale="29" src="https://freight.cargo.site/w/774/i/6fe7dc3047a6f95fc5a8886da5200b79a539964d046d6a0ab28d90ee4638856e/IMG_8042.JPG" /> Princess Julia Salvia Frankie D Lewis G. Burton Wolfgang Tillmans Ucherice more Curation Parama Ham Location Eletrowerkz London, UK <img width="1898" height="1266" width_o="1898" height_o="1266" data-src="https://freight.cargo.site/t/original/i/f5a0e02c543f7f585f7085ec221c99d911aa65c4cc53e926fa1e2866cb3933d9/DSC02107.jpg" data-mid="142898913" border="0" src="https://freight.cargo.site/w/1000/i/f5a0e02c543f7f585f7085ec221c99d911aa65c4cc53e926fa1e2866cb3933d9/DSC02107.jpg" /> Solitude Fantasy Photography Festival <img width="800" height="1132" width_o="800" height_o="1132" data-src="https://freight.cargo.site/t/original/i/28f270bb02ea0401a82a54d8a66bffbfc437e0e66645f7e7835098aaf817ed88/7201628077542_.pic_hd.jpg" data-mid="115374190" border="0" data-scale="32" src="https://freight.cargo.site/w/800/i/28f270bb02ea0401a82a54d8a66bffbfc437e0e66645f7e7835098aaf817ed88/7201628077542_.pic_hd.jpg" /> LocationArles photo festival Arles, FR <img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/57e74032ec39039ec99d97e074331d7f83067735f01aa0eaf59f4d2303c3e134/9661638644748_.pic.jpg" data-mid="142898736" border="0" src="https://freight.cargo.site/w/1000/i/57e74032ec39039ec99d97e074331d7f83067735f01aa0eaf59f4d2303c3e134/9661638644748_.pic.jpg" /> 2020 Accidenting Group Exhibition <img width="1080" height="1613" width_o="1080" height_o="1613" data-src="https://freight.cargo.site/t/original/i/29d650334ac4ddb995213accb4070595adb70c3466f5dc76bc2748c87cbb5fc4/2021bidrectional_intervention.jpeg" data-mid="115374235" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/29d650334ac4ddb995213accb4070595adb70c3466f5dc76bc2748c87cbb5fc4/2021bidrectional_intervention.jpeg" /> OnlineGoldCSSA <img width="1280" height="694" width_o="1280" height_o="694" data-src="https://freight.cargo.site/t/original/i/5eb57c450a41cc6a83996d64117fd75ad1e49c85acc6cf6b9f6d5f814d01ddcd/20210120233422949.gif" data-mid="95874129" border="0" src="https://freight.cargo.site/w/1000/i/5eb57c450a41cc6a83996d64117fd75ad1e49c85acc6cf6b9f6d5f814d01ddcd/20210120233422949.gif" /> <img width="1280" height="694" width_o="1280" height_o="694" data-src="https://freight.cargo.site/t/original/i/79f98e3ad37e48f07161204ea4b993ac28d39bda626e2084a12b2606d9c71f73/20210120234051655.gif" data-mid="95874131" border="0" src="https://freight.cargo.site/w/1000/i/79f98e3ad37e48f07161204ea4b993ac28d39bda626e2084a12b2606d9c71f73/20210120234051655.gif" /> <img width="2402" height="1352" width_o="2402" height_o="1352" data-src="https://freight.cargo.site/t/original/i/e4fec9f107c50c3cf0aab1036d853bb8765c15d1d8b90e470632c78dbb9fa057/iShot2021-01-20-23.54.54.png" data-mid="95874133" border="0" src="https://freight.cargo.site/w/1000/i/e4fec9f107c50c3cf0aab1036d853bb8765c15d1d8b90e470632c78dbb9fa057/iShot2021-01-20-23.54.54.png" /> Home Museum Group Exhibition OnlineLagos Photo Festival <img width="2404" height="1494" width_o="2404" height_o="1494" data-src="https://freight.cargo.site/t/original/i/b1d9ac383ad0406e67d15b53ed237605874ef3b34fa8e9d767560086cee92350/iShot2020-11-10-13.11.35.png" data-mid="88309571" border="0" src="https://freight.cargo.site/w/1000/i/b1d9ac383ad0406e67d15b53ed237605874ef3b34fa8e9d767560086cee92350/iShot2020-11-10-13.11.35.png" /> <img width="2404" height="1494" width_o="2404" height_o="1494" data-src="https://freight.cargo.site/t/original/i/eeda9881138a0368a558724ed140be7a7cff8d0509d7795e299358946cf5dc30/iShot2020-11-10-13.10.27.png" data-mid="88309573" border="0" src="https://freight.cargo.site/w/1000/i/eeda9881138a0368a558724ed140be7a7cff8d0509d7795e299358946cf5dc30/iShot2020-11-10-13.10.27.png" /> <img width="2404" height="1494" width_o="2404" height_o="1494" data-src="https://freight.cargo.site/t/original/i/bc404fb9e365d806267d96430021d39f5b24e72a6f7f6cd47e500acd150e8231/iShot2020-11-10-13.10.41.png" data-mid="88309572" border="0" src="https://freight.cargo.site/w/1000/i/bc404fb9e365d806267d96430021d39f5b24e72a6f7f6cd47e500acd150e8231/iShot2020-11-10-13.10.41.png" /> <img width="2404" height="1494" width_o="2404" height_o="1494" data-src="https://freight.cargo.site/t/original/i/6549db94eecc4e834413f5405a91607a21842a7d0664b395f65006353c000896/iShot2020-11-10-13.01.40.png" data-mid="88309308" border="0" src="https://freight.cargo.site/w/1000/i/6549db94eecc4e834413f5405a91607a21842a7d0664b395f65006353c000896/iShot2020-11-10-13.01.40.png" /> China Group Exhibition <img width="3508" height="5256" width_o="3508" height_o="5256" data-src="https://freight.cargo.site/t/original/i/f5da39c63d3d9811c572cfc7e4399f0db25f0b17ce1a6ad120cc767656f96aca/magic1.jpg" data-mid="8547803" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/f5da39c63d3d9811c572cfc7e4399f0db25f0b17ce1a6ad120cc767656f96aca/magic1.jpg" /> LocationArles photo festivalArles, FR <img width="1125" height="1119" width_o="1125" height_o="1119" data-src="https://freight.cargo.site/t/original/i/afb64b17fbdb1bfc24bc0e471daf0ccdbf4f25cd7fb9d0488afdc0658de10ce1/IMG_6256.PNG" data-mid="142897446" border="0" src="https://freight.cargo.site/w/1000/i/afb64b17fbdb1bfc24bc0e471daf0ccdbf4f25cd7fb9d0488afdc0658de10ce1/IMG_6256.PNG" /> More <img width="2040" height="2048" width_o="2040" height_o="2048" data-src="https://freight.cargo.site/t/original/i/80659426022fc5231bea4dbf565d8ba96233c6c8e14a59d5ea3016343cece225/Into-the-mist-of-archetypes.jpg" data-mid="218432264" border="0" src="https://freight.cargo.site/w/1000/i/80659426022fc5231bea4dbf565d8ba96233c6c8e14a59d5ea3016343cece225/Into-the-mist-of-archetypes.jpg" /> <img width="720" height="1019" width_o="720" height_o="1019" data-src="https://freight.cargo.site/t/original/i/931a9b6bbbb1e2dd0f5014fb1b0115ac0b942f349b4ac486cf9997770eff62b0/note-poster.jpg" data-mid="218432813" border="0" data-scale="70" 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/> <img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/0be12b2db1c264f17825eae20910891d720f86e2c68e216cc84afb121a90656c/ezgif-3-e27d6ce085.gif" data-mid="218433826" border="0" src="https://freight.cargo.site/w/400/i/0be12b2db1c264f17825eae20910891d720f86e2c68e216cc84afb121a90656c/ezgif-3-e27d6ce085.gif" /> <img width="1061" height="1061" width_o="1061" height_o="1061" data-src="https://freight.cargo.site/t/original/i/0cc1297b787742e4ced5158a4c90186bb892684448774873fdcdc1e5b9930efc/The-sundown-of-disquiet.jpg" data-mid="218433828" border="0" src="https://freight.cargo.site/w/1000/i/0cc1297b787742e4ced5158a4c90186bb892684448774873fdcdc1e5b9930efc/The-sundown-of-disquiet.jpg" /> <img width="640" height="905" width_o="640" height_o="905" data-src="https://freight.cargo.site/t/original/i/7caec5a0b6ec1d11ebe687ff1e1e1f6f6a0c92777d00519882251640d6e7cf99/WechatIMG3.jpeg" data-mid="6583338" border="0" 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data-src="https://freight.cargo.site/t/original/i/5d51d0209f04c7601721ad21c8c9eba485cfdd929dffc84cf3514d38c99f7f04/140628268053.gif" data-mid="218433841" border="0" data-scale="82" src="https://freight.cargo.site/w/336/i/5d51d0209f04c7601721ad21c8c9eba485cfdd929dffc84cf3514d38c99f7f04/140628268053.gif" /> <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/2933d197fb9eb84d6a45e6c477a2bbc8ab474c6095cc6d5a6cb7f22675950373/202203se-sculpture-fair.jpg" data-mid="136841429" border="0" src="https://freight.cargo.site/w/750/i/2933d197fb9eb84d6a45e6c477a2bbc8ab474c6095cc6d5a6cb7f22675950373/202203se-sculpture-fair.jpg" /> <img width="2160" height="2160" width_o="2160" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2d8b2bf8415d95077dfd9770ca6a51f036e4726b6205e070ad82397dcbd8325a/------Quote-Unquotename-list.jpg" data-mid="178656463" border="0" src="https://freight.cargo.site/w/1000/i/2d8b2bf8415d95077dfd9770ca6a51f036e4726b6205e070ad82397dcbd8325a/------Quote-Unquotename-list.jpg" /> <img width="640" height="1025" width_o="640" height_o="1025" data-src="https://freight.cargo.site/t/original/i/051969c65373a6ef8ba6f631d3bdcc2804e475230fcb42bc51a8cda5b4849ca2/640.jpeg" data-mid="8679630" border="0" src="https://freight.cargo.site/w/640/i/051969c65373a6ef8ba6f631d3bdcc2804e475230fcb42bc51a8cda5b4849ca2/640.jpeg" /> <img width="1024" height="1440" width_o="1024" height_o="1440" data-src="https://freight.cargo.site/t/original/i/328227da052cbbf114b85a86096d3f380a0e1d1bb73a3435c4565ff407c3d0b5/WechatIMG1.jpeg" data-mid="6582801" border="0" src="https://freight.cargo.site/w/1000/i/328227da052cbbf114b85a86096d3f380a0e1d1bb73a3435c4565ff407c3d0b5/WechatIMG1.jpeg" /> https://uchercie.com/unconsciously Mon, 10 Jul 2017 23:51:20 +0000 uchercie https://uchercie.com/unconsciously <img width="1280" height="896" width_o="1280" height_o="896" data-src="https://freight.cargo.site/t/original/i/ddb2c7877fe9b361ca25d8364e9afc2980d90640012c25f635cd14a3b5edbb0d/.jpg" data-mid="888732" border="0" data-scale="100" alt="able zoom" data-caption="able zoom" src="https://freight.cargo.site/w/1000/i/ddb2c7877fe9b361ca25d8364e9afc2980d90640012c25f635cd14a3b5edbb0d/.jpg" /> <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/85a2a6a90d2fac40fe85e62eb8e7113c1a989332291dcd830f2285241265229d/bujue1.jpg" data-mid="19944540" border="0" src="https://freight.cargo.site/w/750/i/85a2a6a90d2fac40fe85e62eb8e7113c1a989332291dcd830f2285241265229d/bujue1.jpg" />This Photography book consisted of A Flexural Tree in Memory;Glow and Tanned Dusk; Imaginary Club; Knüppelpfade; Nackpflanze;The Color of Pomegranate;The Cement Garden;The luna Sunk Into the Fog,Unable to Escape. It is published by Nanjing University Press,with a total of 174 pages. Preface:The Melting Point of Body and Soul Xianfa Cheng Henri Cartier-Bresson once said about photography, “You must reject an amoral reality so as to reach a realness.” His concept of “reality” and “realness” can be linked back to the ancient Chinese concept of the relationship between an “object” and its “breath” and what you “see” with your eyes and what you “see” with your mind. Or, put more simply, the two areas of the body and the soul. The best photographs meet at a point where the body melts into the soul. I know almost nothing about the girl whose pen name is Uchercie this is quite dangerous to say&nbsp; - because at different moments, when looking at her photographs, I feel as if I know everything about her, and I see in her works the rich life experiences of humanity. Her distinct photographs, whether they be about nature, cities, life, or stories, give me a strong sense of close detachment from life. In its “closeness” she maintains the faithfulness of documenting reality, but in its “detachment“ she opens a door to a poetic space behind the images. It is because of this great poetic nature that I am able to pick up my pen and write a few courageous words on her behalf. &nbsp; From this point of view, her photographic works, since they are print, feel existent, but also have a perception of being three-dimensional; it is both a simple and pure existence, yet a contradiction of this existence. The “complexity behind the door” rushes onto the paper, enchanting the viewer.&nbsp; In the series of works entitled “Nacktpflanze”, I see images of a girl’s nude body under the bright or dim light, ample breasts and butterflies or a girl braiding her hair, but my emotions lie in the unseen and entangled minds’ eye of these women: a feeling of repressed lust, mood, and emotions, swimming with force. Once while reading a poem from Paul Celan, I stumbled upon this word “nacktpflanze.” In another series of photos entitled “Imaginary Club,” the hallucinogenic images view like a psychodrama film: a naked man and woman tangled on top of a metal framed bed, a cup of chemical reactants balanced on a female body, the face of a girl silently lost in memory, shot in the quick flash of a bright light,&nbsp; a reclining woman seemingly suspended in air. This series’ strong impact of modernity and visual composition engage with the viewer‘s evolution of thought; the silent space that opens just after the seeing the photograph, forming an interaction with the viewer’s imagination, mutually promoting its dynamic aesthetics.&nbsp; Yes, distinct works are never in a finished state, but rather the works are completely open, forever waiting for the next viewer to become deeply and emotionally involved. Through her lens, those empty chairs captured in a wasted garden connect to our own memories of a familiar setting, quietly waiting for us to sit amongst them again. Yes, in certain situations, we are not the merely the viewers of photographs shot through Uchercie’s lens, we are the yet to be captured subjects of her camera. To preserve the pure identity as a viewer, I didn’t talk with Uchercie about any of her creative ideas before I wrote this text. Only her photographs and my interpretation, or to be exact, my misunderstandings, fill the gap between the two of us. In previous articles, I repeatedly state a point of view: a creation’s misunderstanding and ambiguity and even the author’s vision, are no match for the new space that it creates.&nbsp; “The Color of Pomegranate” series is filled with the pure breath of death. Each person that stands here, their body still ebbs and flows with life, but what I feel is death: the kind of death that brings a breath of warm memories, nothing fearful. I see their past before they die. They are a group of people hollowed out of time. Another series, “Autumn’s Breast” contains photographs with a&nbsp; composition and tone that possess a Monet-like quality: water reflections of grandiose trees and duckweed and wild nymphs forlornly floating on a lake, alludes to a poem by the famous Chinese poet Li Bai. Sorrow filled with charm and time’s complexity of indescribable things. I’ve also seen a few of Uchercie’s paintings, and they are even more ferocious than her photographs, but I won’t discuss them here. I look forward to cntinously seeing her “new self.” on June of 2015 emerald lack Translated by Sophia Pederson 在灵与肉的焊接点上 陈先发 布勒松在谈摄影时曾说：“避开无道德的现实，才能抵达真实”。他对“现实”与“真实”的概念切割，大致可以归入中国人自古对“物象”与“气息”的分置，是“眼见”与“心见”的关系。或者，干脆与简单些，将他的意思纳入肉与灵的两个大的范畴。最好的照片，都恰好在灵与肉的焊接点上。 我对这个笔名却兮的女孩近乎一无所知---这是个危险的说法---因为在另一些时刻，在一遍遍翻阅她的照片时，我似乎又觉得感知到了她的“全部”，而非她散落于各类人生经历中的一鳞半爪。她那些独特的照片，无论有关山水、城市、人物、故事，给我一种强烈的与生活若即若离之感。在“若即”中，她保持着对现实纪录的忠实，而在“若离”中，她打开了物象背后的诗性空间。正是这种巨大的诗性，让我有了动笔为她写几段话的勇气。 从这个角度，她的摄影作品既是一种平面的、感受的存在，更是一种立体的、感知的存在；既是一种单纯的存在，更是一种矛盾的存在。“背面的复杂性”冲到了纸面，正是她的迷人之处。 在一组题为《nacktpflanze》（裸蕨）的照片中，我看到的是或明或暗的光线下裸露的女体，丰乳与蝴蝶或女子搅扯辫子的奇特构图，但在我情感中呈现出来的却是这些女人幽玄而纠缠的心理光景，一种略让人压抑的在情欲、情绪、情感、情境中游动的力。 Nacktpflanze，我曾在保罗策兰的诗中反复读到过这个词。而另一组题为《虚构的俱乐部》的照片，则恍惚丰富如一部心理学电影，铁架床上捆绑的男女裸体，化学试剂杯边扁平的女体，强光半射中似静止于往事之忆中的少女侧脸，似乎悬浮着的卧女等，构图的现代性与视觉的强烈冲击力都参与了观者的心理演变，照片之后的幽深不可测的空间一下子敞开了，形成与观者的想像力相互作用、相互推动的动态美学。 是的，独特的作品从不是一种完成状态的封闭之物，而是一种完全打开的、永远等待着下一个观者情绪与情感深度参与的空间。在她镜头下那些闲置的废花园中的空椅子，恍同我们自己回忆中的某个熟悉场景，静待着我们再度坐在其中。是的，在一些特定的情境里，我们不是雀兮镜头的观者，我们正是她镜头中未被摄出的主角。 为了保持一个观者身份的纯粹性，在写这篇简短文字之前，我没有和却兮进行任何有关她创作理念的沟通。只有她的照片和我的解读、准确地说是我的误读，在填补我们两人之间的空白地带。在我以前的文章中，我多次表明一个观点，正是误读与歧义在创造连作者的视力都不曾企及的新空间。 《石榴的颜色》组照弥漫着死亡的纯净气息。这里站立的每一个人，虽然身体仍是蓬勃与舒张的，可我感觉到的是死亡，而且是带着温暖回忆的死亡的气息，并没有恐惧可言。我看到的是她们死之前的往昔。她们是一群被时光掏空的人。另一组名为《秋天的乳头》的照片，构图与色调有着莫奈画作的意味，高大树木在水中的倒影、浮萍与野荇的荒寂湖面，有李白所谓“东崖合沓蔽轻雾，深林杂树空芊绵”之境，充满了时光的复杂韵味与一种不可名状的物之哀。 也看过几幅却兮的画作，其艺术冲击力尤甚摄影作品，此处不单论，我期待她身上无外的 “新我”不断涌出。 2015年6月于合肥翡翠湖畔 https://uchercie.com/Marienbug Tue, 04 Jun 2019 14:57:33 +0000 uchercie https://uchercie.com/Marienbug <img width="750" height="422" width_o="750" height_o="422" data-src="https://freight.cargo.site/t/original/i/8a90913d3129866e2f1c6c0d2d609b8ec37f978b9622b500baf9f3c027a7e584/Marienbug_1.jpg" data-mid="58711268" border="0" data-scale="99" src="https://freight.cargo.site/w/750/i/8a90913d3129866e2f1c6c0d2d609b8ec37f978b9622b500baf9f3c027a7e584/Marienbug_1.jpg" /><img width="3368" height="1904" width_o="3368" height_o="1904" data-src="https://freight.cargo.site/t/original/i/f8db59de357cd085386bd069c6c42842d22aacb57a318c5d97cc4e515db90ea7/IMG_5647.jpeg" data-mid="134818768" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/f8db59de357cd085386bd069c6c42842d22aacb57a318c5d97cc4e515db90ea7/IMG_5647.jpeg" /><img width="750" height="422" width_o="750" height_o="422" data-src="https://freight.cargo.site/t/original/i/1d3e290f4a2214e3bdeef3c875f10f400be24f2d41e162285ddbbae386dbad0a/Marienbug_3.jpg" data-mid="58711267" border="0" data-scale="99" src="https://freight.cargo.site/w/750/i/1d3e290f4a2214e3bdeef3c875f10f400be24f2d41e162285ddbbae386dbad0a/Marienbug_3.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/450b8013296e96d2d0e25cf0274ecd24fe700f43efd62e602c80d8473fbffe3f/Marienbug_4.jpg" data-mid="59139769" border="0" src="https://freight.cargo.site/w/1000/i/450b8013296e96d2d0e25cf0274ecd24fe700f43efd62e602c80d8473fbffe3f/Marienbug_4.jpg" /><img width="3140" height="2160" width_o="3140" height_o="2160" data-src="https://freight.cargo.site/t/original/i/1b1de4450ee70ea90fa3ffc2207ac1e732866343fc1ba9bedec125304447fbdc/Marienbug_5.jpg" data-mid="59139771" border="0" src="https://freight.cargo.site/w/1000/i/1b1de4450ee70ea90fa3ffc2207ac1e732866343fc1ba9bedec125304447fbdc/Marienbug_5.jpg" /> Video link MARIENBUG 2019 3140 x 2160, 720 degree 139 seconds Marienbug is a VR animation, the name was adapted from Last year in Marienbad. It is a contextual reconstruction of a historical event which does not exist. 'Bug' is the protagonist of the journey narrative, the images are displayed as the surveillance camera switches. The dystopian imagination places us directly into a terrifying world, alerting us of the danger that the future holds if we do not recognize its symptoms in the present. It is an architectural dystopia; there is no specific architectural indication and cannot distinguish its historical and cultural origins by designing these geometrical shapes with a unified yet evolving vocabulary. They can create a framework for the narrative that sparks people to understand it as a unified tale. Most importantly, the fictional city will represent an integration of the illusionist painting and the motionless ritual of violence and representation, where our relationship to this landscape defines us. https://uchercie.com/Nephelococcygia Wed, 20 Jan 2021 20:13:57 +0000 uchercie https://uchercie.com/Nephelococcygia <img width="2788" height="1780" width_o="2788" height_o="1780" data-src="https://freight.cargo.site/t/original/i/f96d66dad301aff2031a714a76ccefd69b60e8ef297ecadccd4861073a1d595b/Nephecoccygia.club.1.png" data-mid="95851109" border="0" src="https://freight.cargo.site/w/1000/i/f96d66dad301aff2031a714a76ccefd69b60e8ef297ecadccd4861073a1d595b/Nephecoccygia.club.1.png" /><img width="2788" height="1780" width_o="2788" height_o="1780" data-src="https://freight.cargo.site/t/original/i/04a795afe9a25488bed2858af633819fe70a4febb1b6a3a555b432c71598ae91/Nephecoccygia.club.png" data-mid="95851162" border="0" src="https://freight.cargo.site/w/1000/i/04a795afe9a25488bed2858af633819fe70a4febb1b6a3a555b432c71598ae91/Nephecoccygia.club.png" /><img width="2788" height="1780" width_o="2788" height_o="1780" data-src="https://freight.cargo.site/t/original/i/fcc6fe410dbc67777e2e492a036de23c2642ce0d4015e52c941b8147a093c660/Nephecoccygia.club.3.png" data-mid="95851111" border="0" src="https://freight.cargo.site/w/1000/i/fcc6fe410dbc67777e2e492a036de23c2642ce0d4015e52c941b8147a093c660/Nephecoccygia.club.3.png" /><img width="2788" height="1780" width_o="2788" height_o="1780" data-src="https://freight.cargo.site/t/original/i/170b8bb6aa5d388435f9088e1cfc929d85aaf87addcbe2839df97e36266eecbc/Nephecoccygia.club.6.png" data-mid="95851116" border="0" src="https://freight.cargo.site/w/1000/i/170b8bb6aa5d388435f9088e1cfc929d85aaf87addcbe2839df97e36266eecbc/Nephecoccygia.club.6.png" /><img width="2788" height="1780" width_o="2788" height_o="1780" data-src="https://freight.cargo.site/t/original/i/2925cc9583fa6120cb5329c0e90030cf9de30ef45a12a8370c027fd207521d93/Nephecoccygia.club.7.png" data-mid="95851134" border="0" src="https://freight.cargo.site/w/1000/i/2925cc9583fa6120cb5329c0e90030cf9de30ef45a12a8370c027fd207521d93/Nephecoccygia.club.7.png" /> Nephelococcygia 2020 - onging Dimentiona flexibleWebsite / Installation&nbsp; <img width="5000" height="3000" width_o="5000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8e82c6533872bf7f59beedbd696f4b4bf4efe52d3499adb05bd8b75707259b85/space.jpg" data-mid="95851019" border="0" src="https://freight.cargo.site/w/1000/i/8e82c6533872bf7f59beedbd696f4b4bf4efe52d3499adb05bd8b75707259b85/space.jpg" /> https://uchercie.com/Suspended-cosmos Mon, 19 Jul 2021 13:50:53 +0000 uchercie https://uchercie.com/Suspended-cosmos <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c4ce9b6a2475f1e9b8e977f64bbdcad91370bfa21c6ca84250c92014c4ee0f12/6.jpg" data-mid="131070251" border="0" src="https://freight.cargo.site/w/1000/i/c4ce9b6a2475f1e9b8e977f64bbdcad91370bfa21c6ca84250c92014c4ee0f12/6.jpg" /><img width="3421" height="2000" width_o="3421" height_o="2000" data-src="https://freight.cargo.site/t/original/i/bcef321b3e830400ebf30706bd78cd5bd04b1e0ccf630e1a38aebf812369cb2a/simulacra-1.jpg" data-mid="131070242" border="0" src="https://freight.cargo.site/w/1000/i/bcef321b3e830400ebf30706bd78cd5bd04b1e0ccf630e1a38aebf812369cb2a/simulacra-1.jpg" /> Simulacra拟像, 2021 Oil, plastic, MDF 200W x 120H x 5D CM <img width="1333" height="1000" width_o="1333" height_o="1000" data-src="https://freight.cargo.site/t/original/i/7206965cfe7d28f5c88d70ae0c832e38427c2f92f72a68e3f24eea936e2b2b29/wB0009825.jpg" data-mid="114150071" border="0" src="https://freight.cargo.site/w/1000/i/7206965cfe7d28f5c88d70ae0c832e38427c2f92f72a68e3f24eea936e2b2b29/wB0009825.jpg" /><img width="1254" height="1000" width_o="1254" height_o="1000" data-src="https://freight.cargo.site/t/original/i/37fa57902cad9e0ba881e169c6e9cda646c64bc42caa8b7abd5243c31e70639b/Synercdoche-of-construction-2021s-uchercie-03.jpg" data-mid="131070300" border="0" src="https://freight.cargo.site/w/1000/i/37fa57902cad9e0ba881e169c6e9cda646c64bc42caa8b7abd5243c31e70639b/Synercdoche-of-construction-2021s-uchercie-03.jpg" /> Synecdoche of construction 构建提喻法, 2021&nbsp; Oil, airbrush, MDF152W x 122H x 5D CM <img width="1333" height="1000" width_o="1333" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5a3f8de3f427b4442619c6c58393b3b4120262ebdc492eb551691c05eb25fb58/wB0009806.jpg" data-mid="114150151" border="0" src="https://freight.cargo.site/w/1000/i/5a3f8de3f427b4442619c6c58393b3b4120262ebdc492eb551691c05eb25fb58/wB0009806.jpg" /><img width="3000" height="2407" width_o="3000" height_o="2407" data-src="https://freight.cargo.site/t/original/i/99c0cb5c8630082b077f00d88c28e3a2df5e2a6c9f3f5178469b733cc218deb3/cybernetic-sytax-in-limbo_2020s.jpg" data-mid="131070327" border="0" src="https://freight.cargo.site/w/1000/i/99c0cb5c8630082b077f00d88c28e3a2df5e2a6c9f3f5178469b733cc218deb3/cybernetic-sytax-in-limbo_2020s.jpg" /> Cybernetic syntax in limbo中间状态的控制论空间句法, 2021 Oil, acrylic, resin, MDF 152W x 122H x 5D CM <img width="1333" height="1000" width_o="1333" height_o="1000" data-src="https://freight.cargo.site/t/original/i/82f122986c0c8527a19e5adad4e79874cf8c535370c3c9062880f49a89eb3e5a/wB0009836.jpg" data-mid="114150056" border="0" src="https://freight.cargo.site/w/1000/i/82f122986c0c8527a19e5adad4e79874cf8c535370c3c9062880f49a89eb3e5a/wB0009836.jpg" /><img width="1333" height="1000" width_o="1333" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b9d5dfbec351693d6a20272c02665b403bedb23cb2fae85b0abb8f554da70a44/wB0009800.jpg" data-mid="114150172" border="0" src="https://freight.cargo.site/w/1000/i/b9d5dfbec351693d6a20272c02665b403bedb23cb2fae85b0abb8f554da70a44/wB0009800.jpg" /><img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/368fab6e14828b31b941a468e723d215a3364080b31db56cf88e5c6a97d1bbd4/Associated-milieu-2021s-uchercie-03.jpg" data-mid="131070240" border="0" src="https://freight.cargo.site/w/1000/i/368fab6e14828b31b941a468e723d215a3364080b31db56cf88e5c6a97d1bbd4/Associated-milieu-2021s-uchercie-03.jpg" /> Associated milieu 关联的环境, 2021 Jasmonte coated wood, wax, wig, PVA 180W x 60H x 10D CM, 15W x 35H x 15D CM <img width="1333" height="1000" width_o="1333" height_o="1000" data-src="https://freight.cargo.site/t/original/i/877cf2c6fd739e4c96c5e4189f28ce670a14a48f087a45cae7d7c8538294b888/wB0009829.jpg" data-mid="114150064" border="0" src="https://freight.cargo.site/w/1000/i/877cf2c6fd739e4c96c5e4189f28ce670a14a48f087a45cae7d7c8538294b888/wB0009829.jpg" /> <img width="1333" height="1000" width_o="1333" height_o="1000" data-src="https://freight.cargo.site/t/original/i/820eb33bd386684c6b136b07aef5a61c4e0c64bcd67e114a2d747daecf79db96/wB0009817.jpg" data-mid="114150075" border="0" src="https://freight.cargo.site/w/1000/i/820eb33bd386684c6b136b07aef5a61c4e0c64bcd67e114a2d747daecf79db96/wB0009817.jpg" /><img width="1000" height="1333" width_o="1000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/8a87b8dac7d7d92a1dfc1180085e6b2a918f51dc9f66a3fc686bad50c1b8479d/suspended-cosmos-2021s-uchercie-01.jpg" data-mid="131070272" border="0" src="https://freight.cargo.site/w/1000/i/8a87b8dac7d7d92a1dfc1180085e6b2a918f51dc9f66a3fc686bad50c1b8479d/suspended-cosmos-2021s-uchercie-01.jpg" /> Suspended cosmos 悬置的宇宙, 20213D print casted resin, marble, jasmonate coated wood, wax, laser cut on acrylic board100W x 100H x 6D CM, 25W x 20H x 10D CM <img width="2167" height="1736" width_o="2167" height_o="1736" data-src="https://freight.cargo.site/t/original/i/99d5e13bfeae49b3c66ca04c2d5c3e3934333759e75b83bd80340e0bc8b6ef6f/Datecenteronfire2021-uchercie.jpg" data-mid="131070265" border="0" src="https://freight.cargo.site/w/1000/i/99d5e13bfeae49b3c66ca04c2d5c3e3934333759e75b83bd80340e0bc8b6ef6f/Datecenteronfire2021-uchercie.jpg" /> Data center on fire 燃烧的数据中心, 2021 Oil, MDF152W x 122H x 5D CM Poster:<img width="1968" height="2624" width_o="1968" height_o="2624" data-src="https://freight.cargo.site/t/original/i/12e370678f43f8a622bbad68f3cc05c209764c7e177f6896aa72e4130d6ef202/poster.jpg" data-mid="114150186" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/12e370678f43f8a622bbad68f3cc05c209764c7e177f6896aa72e4130d6ef202/poster.jpg" /> Floorplan: <img width="2250" height="1588" width_o="2250" height_o="1588" data-src="https://freight.cargo.site/t/original/i/338114c74af86495698d2b47450cc540994913f2443171b1eee306584837689e/iShot2021-07-19-14.57.51.png" data-mid="114151237" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/338114c74af86495698d2b47450cc540994913f2443171b1eee306584837689e/iShot2021-07-19-14.57.51.png" /> 2021 Goldsmiths, University of London SUSPENDED COSMOS Have you also been spending too many hours in front of screens recently? Uchercie Tang’s paintings and sculptures are material traces of a simulated world – a technoromantic game of photons and speculative symbolism without blue light. Suspended Cosmos presents a devastated scene: a robot lays flat on the ground, while a wig and a loaded gun sit at a few meters distance from each other. Black walls tower above a field of blue flames as a water fountain trinkles serenely. A car flees the scene and heads towards the unrendered distance. What happened? Our ethereal digital presence and the simulations that typically allow for some escape from reality could feel more comforting and familiar than the images relayed from the physical world over the duration of this MFA. As we continue to adapt to varying states of emergency, their imagery, and the ‘strange temporalities’ [1] of the pandemic, everyday life has taken an uncanny dimension with a thrust of disassociation from habituality. Empty city streets, bizarre interactions, social cravings, new lingos, risk calculations, and logistics planning. Stay calm, remember your training, be reasonable. In Greek, art and technology have the same root: technē. Despite their commonalities, their historical development through modernism has associated technology with a materialisation of rational thought, and art with expressions of irrationality, or emotion. The philosopher Yuk Hui reminds us that from ‘ancient cave paintings to modern AI paintings, art depends on technology to be its medium in order to expand and express itself. At the same time, art is capable of returning technology to a broader reality’ [2]. The long history of the medium of painting is of particular interest here, as the endless possibilities of layering pigments and the ‘limitation of the frame (are) able to inscribe the infinite through the creation of tensions on the canvas, preserving such a contradiction without a resolution’ [3]. The paintings and sculptures in Suspended Cosmos are fragments from an eerie yet recognisable situation that resists narrative deciphering: a tragic scenario, a crime scene, elemental destruction… Uchercie engages with worldmaking and world disrupting, suspending a moment of action in time like pressing the pause button. The dramatic landscape of Data center on fire (2021) and the physics of bursting water in Synechdoce of construction (2021) take on the quality of the sublime. The time that a painting captures is likened to a cosmic collapse in the moment of a gunshot, or an augmented reality program on standby in a digital storage device. 40 years have passed since Jean Baudrillard stated: ‘We live in a world where there is more and more information, and less and less meaning’ [4]. The advent of new technologies with their associated social organisations and institutions are posing an existential question to humanity through a generalization and industrialisation of&nbsp;ambient computing: ‘a robotized living space, which means that there is gradually less and less left for me to do (I no longer need to open doors, order groceries and so on), and means that I gradually lose all my savoir faire and savoir vivre, my knowledge of how to do things and how to live’ [5]. Today, we lead the extensions of our organic beings to smart cities, supply chains, and the cloud: a new stage of exosomatization. A tension runs throughout Suspended Cosmos, between the agency of an automated society, and that of rogue forces interrupting optimised procedures: between image and user. Technological media create a limbo territory that increasingly pervades our existence, suspending lives in cyberspace and simulations that blend with physical presence. Try again, confirm you are not a robot, scan your face here, we prefer contactless approval. Receive your order in fewer packages and trips? The over rationalization of contemporary societal processes leads to confusion for many. Move on, it doesn’t matter what happened. ‘You just know the robots are not the only thing you need to know’ [6]. -Nikos Akritidis [1]&nbsp; Gentile, J. (2020) Time may Change Us: The Strange Temporalities, Novel Paradoxes, and Democratic Imaginaries of a Pandemic, Journal of the American Psychoanalytic Association, Vol. 68 Issue 4 [2] Hui, Y. (2020) Art and Cosmotechnics, Minneapolis: University of Minnesota Press, p. 28 [3] ibid, p. 12 [4] Baudrillard, J. (1983) Simulacra and Simulation (original French version in 1981), p. 79, Los Angeles: Semiotext [5] Stiegler, B. (2020) Nanjing Lectures (2016-2019), p. 233, London: Open Humanities Press [6] Extract from online Text Generation API (based on the GPT-2 mode by OpenAI with input: ‘the robot is dead’ https://uchercie.com/Solitudefantasy Thu, 30 Sep 2021 14:51:54 +0000 uchercie https://uchercie.com/Solitudefantasy loading... Solitude Fantasy&nbsp;